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3D reconstruction — Kruje, Albania

Author: Selma Rizvic
Published on: July 19, 2023
Comments: 0 Comments
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Kru­ja, referred to as “Kroia” in Byzan­tine and as “Akçe His­ar” in Ottoman sources is the renowned moun­tain­ous strong­hold of George Cas­tri­o­ta Scan­der­beg, con­sid­ered to be a nation­al hero of Alba­nia. The city and its cas­tles are locat­ed at the slopes of Kru­ja Mount, at an ele­va­tion of 580 m above the sea lev­el. Appear­ing as a Dio­cese as ear­ly as 879 A.D., by the twelfth cen­tu­ry it is already men­tioned as a for­ti­fied city. When Kru­ja became the seat of the Cas­tri­o­ta fam­i­ly, at the end of the four­teenth cen­tu­ry or ear­ly fif­teenth cen­tu­ry, its cas­tle had already been repaired exten­sive­ly at least twice. The first record­ed time was dur­ing the rule of Charles of Anjou, who almost recon­struct­ed it in 1271, while in the course of most parts of the four­teenth cen­tu­ry the castle’s pre­vi­ous ten­ant, Charles Thopia, also car­ried out impor­tant repair works. Hence, when the city and its cas­tle became the strong­hold of John Cas­tri­o­ta, father of George Cas­tri­o­ta Scan­der­beg and hus­band of Voisa­va Trib­al­da, the hero of this sto­ry, they were effec­tive­ly for­ti­fied and secured.

At the time of the Cas­tri­o­ta rule, the Cas­tle of Kru­ja was where its walls are now, as the Ottomans who rebuilt them did so on the foun­da­tions of the old­er Cas­tle. By the sides of the main entrance, a round tow­er and a polyg­o­nal tow­er stood to con­trol the traf­fic to the city and pro­tect it from direct attacks. Inside the Castle’s entrance were the gal­leries of the guardians, the cis­tern, and the baths. At the Castle’s east­ern side, a sec­ond pair of tow­ers (one of which was lat­er trans­formed to a clock tow­er) linked with for­ti­fi­ca­tions marked the acrop­o­lis, a for­ti­fied zone with­in the for­ti­fied zone of the Cas­tle. It is in this space that the res­i­dence of Kruja’s lead­ers must have been, includ­ing that of the Cas­tri­o­ta fam­i­ly. The church, in which the sto­ry of Voisa­va Trib­al­da is unfold­ing, was exis­tent at the lat­est since the four­teenth cen­tu­ry. Its small dimen­sions fit a fam­i­ly-owned-and-used church – an appro­pri­ate set­ting for our story.

Filming the queen(s)
The first and the final virtual environments models
SHELEADERSVR project started in 2022 and will run until 2025. This project has received funding from the EUROPEAN EDUCATION AND CULTURE EXECUTIVE AGENCY (EACEA) programme under grant agreement No 101055818.The views and opinions expressed in this website are the sole responsibility of the author and do not necessarily reflect the views of the European Commission.

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